The Detective
Marmoleum stories
Santje Pander
In 2018 Santje Pander graduated in Conservation and Restoration of Cultural Heritage at the University of Amsterdam (UvA). Currently she is employed at the UvA as a Post-Master trainee specializing in the restoration of historic Interiors, with a specific interest in post-war architecture.
Her Master thesis research was on the 1958 UNESCO Press Room designed by Gerrit Rietveld. In 2018, she was granted the 4D Research Award from the UvA. This made it possible to continue with a digital reconstruction research of the UNESCO Press Room in collaboration with the 4D Research Lab.
An architectural gem
When UNESCO’s headquarters building was inaugurated in 1958, hidden within its concrete walls was an architectural gem: the UNESCO Press Room designed by Gerrit Thomas Rietveld (1888-1964), a national gift from the Dutch government to UNESCO. What made the Press Room so unique both visually and conceptually was, in large part, how the multicoloured geometry of the linoleum floor, which covered the entire room, was contiguous with the tables. Rietveld’s exceptional and visionary use of linoleum resulted in an interior looking more like an artwork than an office.
Salvaged furniture
In the 1980s, the interior was dismantled, and after a period of discussion, the furniture was brought to the Dutch Cultural Heritage Agency for safekeeping. Alas, several of the architectural elements, such as the wall, floor and some furniture were lost. In addition, as the furniture that came to the Netherlands was in bad shape, up until now it has been hard to reinstall it somewhere else, as well as important information being missing to complement the salvaged furniture. In fact, no colour photographs of the Press Room have been identified yet. The existing images are black and white photos that have been hand coloured.
In a wish to restore the interior of the Press Room in 2017 an expert meeting was organized by the Dutch Cultural Heritage Agency as the kick-off for a research project that is still ongoing.
Several researchers have been working on the Press Room. Santje Pander joined the team in 2018 during her master Restoration and Conservation at the University of Amsterdam.
The linoleum archive
In the Spring of 2018 Santje visited the archive of Forbo Flooring. The linoleum used for the floor and the furniture pattern in the Press Room was originally produced by Linoleum Krommenie (now Forbo Flooring). In the archive which treasures collection books over 100 years old Santje discovered detailed information about the specific Marmoleum colours Rietveld selected for his design.
The reconstruction
Currently Santje is building a 3D digital model of the original room, using archival Marmoleum colour samples as reference. The model is created together with 4D Research Lab of the University of Amsterdam. The curator and conservators of the Dutch Cultural Heritage Agency hope eventually to build a permanent physical reconstruction of the room.
Special thanks to:
Santje Pander | University of Amsterdam
Merel van Schrojenstein Lantman and Jessica Hensel | University of Amsterdam
Gal Keshet | directing, filming and editing
Simone de Vries | consultancy
Tijm Lanjouw | 4D Research Lab
RCE | Sylvia van Schaik, Ron Kievits, Dorian Meijnen
Stichting Erven Rietveld | Martine Eskes
Rietveld Stichting | Martine Eskes
UNESCO | Eng Sengsavang
UNESCO | Collection of UNESCO Archives
Sketches and photos of the Press Room depicted in the movie are from documentation provided by the Dutch Cultural Heritage Agency and come from to the following sources;
UNESCO | Collection of UNESCO Archives, Het Nieuwe Instituut Rotterdam | Rietveld Archief, D. Berretty/GAMMA RAPHO
Filmed footage inauguration UNESCO building-© UNESCO for moving images
“Het hoofdkwartier van de Unesco te Parijs” Linoleumnieuws 1958, vol.10, page 18-19
“UNESCO gebouw Parijs” by A. Buffinga, article in Bouw,1959 vol.14 (40) 1130-1140
“In Search of the Original Press Room”, article by Eng Sengsavang, Santje Pander, Dorian Meijnen in Link (Lien) bulletin UNESCO |AFUS, 2019 vol.135 page 34